Showing posts with label autolux. Show all posts
Showing posts with label autolux. Show all posts

Friday, August 11, 2017

LIT AF 2016: #40 - 21

We did manage to throw together a "worst songs" for the first time since 2012, although it's mostly just stuff cherry picked from other people's lists. We haven't actively hunted for vomit music in almost 5 years. (lmao)

Not-Fire Of 2016
20. Macklemore & Ryan Lewis "White Privilege II"
19. Mike Posner "I Took A Pill In Ibiza"
18. Local Natives "Fountain Of Youth"
17. Meghan Trainor "Like I'm Gonna Lose You"
16. Meghan Trainor "No"
15. Natalie La Rose f/ Jeremih "Somebody"
14. Twenty One Pilots "Heathens"
13. Twenty One Pilots "Stressed Out"
12. Disturbed "The Sounds Of Silence"
11. Meghan Trainor "Watch Me Do"
10. Steven Tyler "Red White & You"
9. Meghan Trainor "Me Too"
8. Lukas Graham "Mama Said"
7. Macklemore & Ryan Lewis "Spoons"
6. Unkle Adams "The 90s"
5. Fall Out Boy f/ Missy Elliot "Ghostbusters (I'm Not Afraid)"
4. The Chainsmokers f/ Halsey "Closer"
3. Lukas Graham "7 Years"
2. Le Tigre "I'm With Her"
1. Train "Play That Song"

With more research, the list could have been even worse, but our stamina for vomit is not as hot as it used to be. Also bad songs used to be fun. Sadly, almost none of these songs are fun or "funny bad," except of course for Disturbed's "The Sounds Of Silence."

And now for a change of direction, here are some very lit jams. We are nervous that our friends will see us writing about their bands and think we suck so go easy on us.

| Follow "LIT AF 2016" on Spotify |

| #200 - 166 | | #165 - 131 | | #130 - 101 | | #100 -71 | | #70 - 41 | | #40 - 21 | | #20 - 1 |

| All 200 Songs |

40. Kamaiyah “How Does It Feel”

If songs like "Pump Up The Jam" still charted, we suppose "How Does It Feel" would have been a much bigger song. Hannibal Burress tweeted about it at some point, but we forget what he said because we can't find the tweet.


39. Domo Genesis f/ Anderson .Paak "Dapper"
Where can we buy those "DO YOUR CHORES / SMOKE BEER" shirts? Odd Future figured out how to rip off Earth Wind & Fire. One sweep of the Fender Rhodes from "Dapper" is like an instant time machine back to the breezy frustrations of Summer 2016 - a bummer summer for sure, but the music was dope, and at least Bojack S3 and Stranger Things were sick. Coulda been a lot worse. "I could turn a pussy to a kiddie pool" might be our guilty pleasure lyric of the year.
https://www.youtube.com/watch?v=C_9HNEyLa4U

38. Migos f/ Lil Uzi Vert “Bad and Boujee”

Last minute addition. Amazing chorus. We had to.
https://www.youtube.com/watch?v=S-sJp1FfG7Q

37. Carly Rae Jepsen "Higher"
The journey through Carly Rae's various hair excursions began early in the promo-cycle for E•MO•TION. The red hair from her album cover was dyed black early enough to not appear in any videos. But these adventures wouldn't have grabbed our attention had it not been for our official 2016 "Mullet Of The Year" award. We're having trouble remembering when the mullet debuted, but it appeared on her socials in a round of photos that were intended to showcase things that were not her mullet. Unless we're mistaken, she never attempted to engage fans with a mullet announcement, almost as if she didn't give a shit and was like "yea, I dunno. I guess I have a mullet. Who the fuck cares" and then just continued on with her life. This made both Carly Rae and her possibly accidental mullet even more endearing. And also, "Higher" is a really good song.
https://www.youtube.com/watch?v=Fd_EJSHchyM

36. Sad13 “Devil In U”
The devil is on one shoulder growling, "La Croix is the best. Buy lots of La Croix right now. Fuck all that other shit." Devil tempts you to think with your dick only. The angel is on the other shoulder gently whispering, "Dude, go for Schweppes. It's a good choice, and it's on sale." The angel wants you to think with your heart and do the right thing. At the last minute, you impulsively choose some weird brand like IZZE. Devil and Angel are both facepalming like "omg you idiot" and are very disappointed in you.


35. D.R.A.M. feat. Lil Yachty "Broccoli" / Young Thug feat. Travis Scott "Pick Up The Phone" / Fat Joe feat. Remy Ma & French Montana "All The Way Up"
Now That's What I Call Vape Vol. 1.
DRAM: https://www.youtube.com/watch?v=K44j-sb1SRY
YT: https://www.youtube.com/watch?v=mZDinQ92OZQ
FJ: https://www.youtube.com/watch?v=y2ak_oBeC-I

34. Two Inch Astronaut "Andy's Progress Report"
Spotlight on Andy Cherv. The phrase "Progress Report" and the song title "At Risk Student" incorrectly places our heads in a high school setting throughout most of the Personal Life LP. No, it's not a concept album. But our heads always envision high school music videos anyway because it feels like an experience when human dignity is at its most vulnerable. "Andy's" sounds like disillusionment and isolation while watching the slow dances at senior prom. After crushing on some babe for four years, you get to see whoever it is making out with someone else from the other side of the room and you're just like "oh cool" and knock over some tables on your way out. "Done learning my lesson."


33. Ty Dolla $ign “Zaddy” / Jeremih “oui”
"Oui" was technically 2015 but we saw it show up on many 2016 lists, so it's fair game. And we tied it to "Zaddy" because both songs are great examples of why we should never hope to live in a world without smooth R&B crooners charismatically boasting their natural heat. We're pretty sure that 107.5 WBLS has yet to fully embrace Ty Dolla $ign, but we remain hopeful for his eventual dominance over R&B airwaves. WBLS is gonna get renamed WBL$ by the time this is over.


32. Joey Purp f/ Chance The Rapper "Girls @”
Joey & Chance went for the tongue-in-cheek approach: "Where the girls at with the credit cards?" Seriously. It's 2017. Musicians are broke and can't afford luxurious dates (although Chance probably still has some leftover Kitkat money). Pitchfork sneakily snuck this song into the curiously high #43 position on their end-of-year feature - a surprising choice since they usually don't rep for fake-Neptunes summer party jams. The differences between this song and 2013's "Get Like Me" are anything but textural. Chance and Joey are hot right now. That's basically it. In the future, Pitchfork SHOULD rep for these types of songs. The world needs party jams more than ever. But anyway, back to the subject of broke musicians: "With the 'why'd I let him drag me here?' look in the club." Special shout-out to tall girls, small girls and of course, who could forget mid-size girls? The video captures it all pretty nicely: Low budget, extremely Chicago, no beaches, summery fun, chillin' on the hoods of cars.


31. Kanye West "Famous" / Kanye West "Feedback"
We recently read through the chapter in Klosterman's I Wear The Black Hat about how fun it might be to witness Kanye failing at something just one time: "I believe a cataclysmic Kanye West collapse might be the most dramatic thing he'd ever create. It would be the musical event of the decade."

This got us thinking about the true current value of music, regardless of its commercial or critical merits. 2017's attention-based musical economy rewards the music that is discussed most frequently. Within this universe, West currently releases the most valuable records. One could also make a good argument for lone-competitor Beyonce, except that her self-titled and Lemonade sparked far more conversation than her first four solo releases, whereas Kanye has consistently stimulated widespread discussion since at least Graduation in 2007, if not earlier. He's the MVP every season because he makes the records that everyone discusses.

Within the hours and weeks of its release, The Life Of Pablo was labelled by a few people as his inevitable trainwreck album even though it appeared on almost every major EOY list ten months later. It's his least immediately impressive record (with 808s and Heartbreak coming in 2nd place), but hiphop and pop fans tend to be unforgiving of growers. The saddest aspect of Klosterman's "failure" discussion is the lack of forgiveness this failure-record would receive from social media and bloggers. No matter how endearingly human of a moment, this would not prevent The Pitch or some equally exhausting thinkpiece medium to fill itself with approved pitches from writers desperate to get paid for headlines like "The End Of Kanye, and That's Okay" or "Should We Care About Kanye West Anymore?"

Miley Cyrus & Her Dead Petz had no effect on Miley's current chart success. She did not "bounce back" into the Top 40 because she never went away. An artist at Kanye's current level of success would easily survive a trainwreck, especially for someone who could throw together a totally redeeming forward-thinking summer-banger mixtape within six months. Post-millennial critics in the 2020s might even label the trainwreck LP as a "brave attempt" when viewed within the span of his entire discography. The Life Of Pablo was not this moment, no matter how much anyone wanted it to be.
https://www.youtube.com/watch?v=EiucRfI6Y6Q

30. YG “Gimmie Got Shot”

A cautionary story. If Gimmie doesn't watch himself, Gimmie's gonna get shot. And then some back-up singers will arrive without warning and start singing "Gimmie Gimmie Gimmie Gimmie..."
https://www.youtube.com/watch?v=t-COysL4pH4

29. Deerhoof “Learning To Apologize Effectively”



28. Margaret Glaspy “You and I”



27. A Tribe Called Quest “Whateva Will Be”



26. Rihanna "Yeah I Said It"
A lot of what we wanted to say about "Yeah I Said It" was relying on "I want you to homicide it" being a misheard lyric, which it is not. Those are the real words. However, we did just discover a huge shocker: The producer responsible for the introspective-sounding beat is none other than Timbaland, who has been sadly absent from our Hot/Lit Mixes since at least 5 years ago, if not longer. But this is also kinda sad since Timbaland now just immediately makes us wonder about what Aaliyah might have been up to in 2016/2017. It's very likely she would be pumping out hit records that sound like Anti.
https://www.youtube.com/watch?v=VnrRp38GCLw

25. Kanye West "30 Hours"
Kanye's last-minute extra credit assignment totally suckered people like us who want a hotass beat and the type of energy that only stream-of-consciousness can deliver. The dopeness establishes itself within seconds, allowing Kanye to ride it out and speak his mind about whatever was happening that day."Check it out. This the bonus track. My favorite albums used to have bonus joints like this." In the first 2 minutes, it sounds like he's building to a point. "You had me drivin' far enough to switch the time zone / You was the best of all time at the time tho / You wasn't mine tho / But I still drove 30 hours." Relating to "common people" emotion is beneath Kanye West, although it seems like he's oddly shooting for this within a few lyrical passages.

"Chicago to St. Louis / St. Louis to Chicago." So what's going on in St. Louis? I hit the gym / All chest, no legs. He then refers to Andre 3000 as "Three Stacks," a nickname that no one has used since "Int'l Players Anthem" in 2007. Kanye hypes Andre's contribution with a nickname, even though it amounts to little more than the titular phrase sung once and copy-and-pasted 18 times. (We counted to see if maybe he pasted it 30 times.) It might also be noteworthy that 30:00 (30 hours & zero seconds) spells out "3000" with the colon removed.

Me and Wifey make a movie. It's all spoken adlibs for the last 3 minutes, sounding hastily recorded, mixed and mastered the day before the album dropped. And then Gabe calls. Is that Kanye's real ringtone? And even if it was, why would he be holding his phone so close to the vocal mic? "That's Gabe calling. Yo Gabe. I'm just doing an adlib track. What's up?" We never find out what was up. The odds are not tremendously great that this was a genuine phonecall.
https://www.youtube.com/watch?v=LK4OuaVIyUM

24. Chris Weisman “The Paradox Of Thrift”
While searching for the Bandcamp stream of "The Paradox Of Thrift," we came across this cover version that appeared on a tribute comp from 2014, leading us to believe the original version of this song is not the one from 2016's Hi LP, or that Hi is either an OSR reissue or a collection of previously released songs. He might have over 1000 recorded songs by now; plus, OSR Tapes (R.I.P.) has packaged them up in a few different ways, making it difficult to tell when these albums were first issued; plus, the history of his work is not meticulously detailed or easily available online (which is actually way cooler and adds to the mystique - not complaining at all). Does it technically fit into a "Best Of 2016" feature? Yes, it probably does. We still think Tina Belcher would connect with Chris's music, and we anxiously await the episode when she discovers C30 tape culture. For some reason, this song reminds us of Nillson Schmillson.


23. Autolux "Change My Head"
We're as shocked as anyone. Failure and Autolux released mid-2010s LPs only nine months apart from each other. Many people would have lost that bet.

And now that the smoke's cleared, forgive us as we indulge in yet another exciting edition of "Nerdy Fanfic Bizarro Discography." This time, we'll be examining a topic we briefly discussed in Hot Mix 2015: "What If" Failure hadn't split into separate projects and continued into the early 2000s?

In our bizarro universe, we will designate May 15, 2001 as the release date of Failure's 4th album. This coincides with the date when Tool and Weezer both coincidentally dropped Lateralus and "The Green Album," respectively. (Both were long-awaited follow-ups to records released in September 1996, one month after Failure's Fantastic Planet). This record might have collected many of the songs and ideas that were spread over 7 or 8 releases in bands like On, Year Of The Rabbit and Autolux. It would also include "Future Perfect," a song that was available in two different demo versions until finally appearing on Autolux's Pussy's Dead 15 years later as "Change My Head."

Hot Album by Failure
1. "Hunted"
2. "Petting The Carpet"
3. "Segue 4"
4. "If I Get To Feel You"
5. "Underorbit"
6. "Burn"
7. "Your Sister Says John"
8. "C'Mon Collapse"
9. "Segue 5"
10. "Wake Up"
11. "Future Perfect"
12. "I Can See Houses"
[Bonus Track: "Enjoy The Silence"] Did bonus tracks still happen in those days?
https://www.youtube.com/watch?v=InrOwXDR_wk

22. David Bowie “Killing a Little Time”
There aren't nearly as many songs with crazy drums anymore. Bowie's Earthling LP from '97 stretched into this a bit with the drum-and-bass freak-outs on "Little Wonder," but a song like "Killing A Little Time" required similar frantic, maddening urgency to a pair of late '90s jams: Nine Inch Nails "The Perfect Drug" and Fiona Apple's "Fast As You Can." He knows it's a losing battle no matter what, and it's tough to hear him cope: "I'm falling, man ... I'm fading, man..." But he wants it to end on his terms. By maintaining desperation to keep his momentum as wild as possible, he then maximizes as much stolen borrowed time as he's capable of collecting. It's also remarkable how great his voice sounds - arguably among the very best voices of any recent legacy artist, since so many of them experienced drastic vocal changes after years of abuse from cigarette smoke or worse. Bowie's voice is among the great treasures of rock history.

[Regarding Bowie's voice: We talk about Rick & Morty way too much here. But in the Season 2 commentary, Justin Roiland and Dan Harmon revealed that they tried to get David Bowie to voice the Fart-cloud who sings "Goodnight Moonmen." Sadly, they found out why he was unavailable to help a few months later.]
https://vimeo.com/188145787

21. Miguel “Come Through and Chill”
There are ONLY two ways to interpret the lyric "Put your sweats on for me."
#1 Miguel wants to "____ all night" in sweats to satisfy his sweats fetish.
#2 Miguel is busting out ALL of his most classic lines, suggesting You're beautiful, no matter what, even when you have your sweats on. He knows damn-well what's happening by the time the song is over. The sweats are coming off either way. Miguel - you little sneak.
Also of note: We're bummed there wasn't a 2016 volume of the Art Dealer Chic series, which normally drops between Miguel's album promo cycles. But the summer 2016 roll-out of non-album jams did include 3 fully formed songs. So it was basically the same amount of material released over 3 months, which isn't so bad. "Come Through and Chill" was the most underrated of the summer singles.


| Follow "LIT AF 2016" on Spotify |

| #200 - 166 | | #165 - 131 | | #130 - 101 | | #100 -71 | | #70 - 41 | | #40 - 21 | | #20 - 1 |

| All 200 Songs |

Tuesday, August 1, 2017

lit af 2016: #130 - 101

| Follow "LIT AF 2016" on Spotify |

| #200 - 166 | | #165 - 131 | | #130 - 101 | | #100 -71 | | #70 - 41 | | #40 - 21 | | #20 - 1 |

| All 200 Songs |

130. David Bowie “Girl Loves Me”
On September 7, 1977, David Bowie taped a performance of "Heroes" on the sixth and final episode of Marc, a weekly musical variety show hosted by Marc Bolan. (The final moments of the episode show David and the members of T.Rex performing a brief instrumental jam above the scrolling credits.)

Four days later on September 11, 1977, Bowie again performed (lipsynched) "Heroes" during a TV taping for Bing Crosby's Merrie Olde Christmas, a special that was mostly forgotten after its initial broadcast but gained infamy during the '80s and '90s after the "Little Drummer Boy / Peace On Earth" duet was released as a commercial single in 1982.

A few hours after the September 7th taping of Marc, the series' 3rd episode was broadcast on BBC featuring a performance from Hawkwind (only months after Lemmy had left the band to form Motorhead). It would be the last episode of Marc to air prior to Bolan's fatal car crash on September 13th. The Bowie episode aired on September 28th, eight days after Bolan's funeral (attended by Bowie and Rod Stewart among others).

Bing Crosby passed away barely a month after his TV taping on October 13th, with the special airing on November 30th.

A sad and eerily chilling coincidence, but a wild one nonetheless: Both moments featured recently deceased TV hosts accompanied by David Bowie himself appearing in person to sing "Heroes." (And none of this has anything to do with "Girl Loves Me.")
https://www.youtube.com/watch?v=wDCk1X2S00A

129. Charly Bliss "Turd" / Charly Bliss "Ruby"
Sup Charly.



128. Melkbelly "Elk Mountain"
We didn't actually want to go inside of Dunkin Donuts after drinking that much cough syrup. We just needed a destination, so we simply drove by the parking lot. About 12 kids stood there silently staring at us as we wondered why everything was more difficult than usual. After driving home at 20 mph, we reached for the doorknob but were too dramatically and irrationally anxious about what's on the other side to actually turn it all the way.


127. Wormed “Computronium Pulsar Nanarchy”



126. DJ Luke Nasty “OTW”


125. Witch Hair “Somewhere High”
A few weeks ago this award would have gone to Swim Team (who mysteriously removed their Side A jams from Soundcloud early in 2017). But now Witch Hair have claimed the title of "Best 2016 Song That Is Unavailable To Stream Anywhere." Their Lemonheads-y jam "Somewhere High" was on their Bandcamp earlier this summer, but has since gone the way of Houdini in a poof of smoke. A live video does exist though:
https://www.youtube.com/watch?v=MSXv2q0UjDQ

124. Cloakroom "Big World"
You know what they say about universes with big worlds.


123. Aphex Twin “CHEETAHT2 [Ld spectrum]”
Any assessment of Cheetah representing RDJ at his "most restrained" deserves reevaluation. Everything on this record is as warped and disorienting as any AFX releases from the '90s, and we're unsure how anything on Cheeetah is more tame than arguably the most pensive ambient song of all time. These damn whippersnapper posers who get paid to write music reviews should maybe consider brushing up on their familiarity beyond "Come To Daddy" and "Windowlicker." We'd grumble further but we'd rather keep at our most restrained behavior.

The song is currently only streamable on Spotify, so instead here's this:


122. BJ The Chicago Kid “Turnin’ Me Up”


121. Stove "Graduate and Congratulate"
The origins of "Graduate and Congratulate" begin years before Ovlov in the band Home Movies, when Stove was influenced by the chill, summery beachy-ness of "The Game Of Love" by Santana featuring Michelle Branch (written by Gregg Alexander from The New Radicals). An unrelated aside, we really need to get our hands on a couple of those Boner Pedals we've been hearing so much about. The kids are abuzz; "Nothing Beats A Boner," they say. We've heard nothing but good things, and probably at least 20 of the bands in Lit As Fuck Mix 2016 really do use them. Not kidding. (This is an unpaid advertisement, by the way. Boner didn't ask us to write this. We were running out of steam, and this picture of Boner on Stove's Facebook page felt inspiring.) These peds make every guitar sound like Jesus Christ himself were shredding from the top of the highest mountain. World Class craftsmanship, hand-made, custom pedals built by Boner. Give em a big old phonecall right now today. Your one-stop shop for all the peds. http://explodinginsoundrecords.limitedrun.com/products/585293-boner-pedals-rams-head-big-muff



120. Future Biff "Redline"
Get ready for some nasty air guitar. "Redline" had the catchiest, most exciting, most urgent and probably overall best guitar solo of the year. Geronimo's split in 2014 seemed like a huge bummer at the time. But the split seems to have inspired newfound musical freedom unlocking what's probably been their most prolific era to date. Every 5 or 6 months, it seems they have a new project with names like Milked or Future Biff. Nothing's changed. Everything's changed.


119. Good Willsmith “A Disease You’ve Probably Never Heard Of Is Killing Kids”
Demons celebrate from deep in the fiery pits of hell. Belly-laughing for hours on end like they just saw Charlie Murphy's "Rick James" sketch for the first time after a series of heavy bong rips, 100,000 crudely shitty little creatures resembling the Iz's from The Maxx surround souls getting drawn-and-quartered in a coliseum setting, busting their guts as the helpless are sucked into the vortex of infinite purgatory.


118. Palberta “Ode To Honey”
On Palberta's previous records, their surrealist elements were an undercurrent. The dreaminess was not as blatant and was only mildly present among their most childlike tendencies, whereas now surrealism seems to have taken over their music completely. They're shooting to unlock the unconscious thoughts of the listener in a hugely conceptual multi-layered blueprint that listeners may partially grasp but can probably only be truly understood by the three songwriters. If their discography (up to this point) represents a linear trajectory aligning with basic human rite-of-passage type moments, "Ode To Honey" is the era when someone might first discover mushrooms - at one with nature and with a renewed sense of perspective.


117. Total Slacker "Olympus Hills"
No one on Youtube has uploaded the song "R.E.M" by Wesley Willis yet or else it would've been embedded here.
https://www.youtube.com/watch?v=PiaXxqpg-cI

116. Wolf Parade "Floating World"
Boekner's original solo version of "Floating World" never received an official release, but it did appear in some garbage-looking Emma Roberts indie-romcom from 2013. Picking up closer to where they left off than EP4's other 3 new songs, Wolf Parade's full-band arrangement seems like the obvious stand-out. It's the only one presented like the imaginary b-side to 2008's non-existent "The Grey Estates" single (it does kinda sound like "The Grey Estates" with re-written lyrics), or perhaps even more like a secret non-album track from 2005's Apologies To The Queen Mary, if the song were among the few not recorded by Issac Brock.
https://www.youtube.com/watch?v=4tFBsMOATUM

115. Weaves “Sentence”


114. Lea "The Lorax"

Shooting a round of flame thrower blanks.


113. CupcakKe “Jesus”

Cupcakke jam packs the Cum Cake and Audacious mixtapes with gross-out humor and proudly inventive raunchiness. Just when you think it can't get any more ridiculous, Audacious closes with an awkwardly honest, unironic ode to Christianity. Over a reggaeton beat, she sings "I read my bible / Now Jesus Christ my idol" with the same double-tracking, attitude and cadence applied to tracks like "Spider Man Dick" or "Juicy Coochie."
https://www.youtube.com/watch?v=EDoAlmxCRFI

112. Rihanna “Woo” / Rihanna “Pose”
Return To Cookie Mountain is her favorite album (probably). At this point, her stans are ready and loyal enough to follow her to the edge of Hades or balls deep into a completely avant-garde era that will be best understood 15 years from now. We have our hopes up that Anti was her Low and that her next two albums are Rihanna's equivalent to the Berlin trilogy (preferably with Dave Sitak as her Brian Eno).
https://www.youtube.com/watch?v=26eTqNgpUUw
https://www.youtube.com/watch?v=bl_uPk4JDt0

111. Vince Staples “War Ready”
The power of Three Stacks. Bold Prediction: Andre 3000 will not release an album on his own or in Outkast at any point before 2020; despite this, his generously dope contributions on guest verses will provide "End of Decade" list makers myriad opportunities for inclusion. (August 2019 is closer than y'all think.)


110. Quttinirpaaq “Dead Birds”
Whoops this is actually 2015.


109. The Avalanches "Colours"
Those time lapse flower-blooming filmstrips from the '60s.


108. Exploded View “No More Parties In The Attic”
The smoke alarm went off on Lynchian fake-'50s cyborg planet. Plot the escape.


107. Two Inch Astronaut "At Risk Student"



106. Soft Fangs “The Air”



105. Lil Yachty "Shoot Out The Roof"

https://www.youtube.com/watch?v=cAmtm4Ir0Vk

104. Stove "Mrs. Robertson"



103. 75 Dollar Bill “Beni Said”



102. Flasher “Destroy”


101. Autolux "Brainwasher"

https://www.youtube.com/watch?v=HADVgpRl7jo

| Follow "LIT AF 2016" on Spotify |

| #200 - 166 | | #165 - 131 | | #130 - 101 | | #100 -71 | | #70 - 41 | | #40 - 21 | | #20 - 1 |

| All 200 Songs |

Friday, June 4, 2010

Fantastic Planet reissue June 8th

I'm in this band Ovlov and we were recording with this other band Quilty not long ago. Yeah anyway.. Enough back story...

While we were on our way to the recording studio place, I saw the Autolux CD in their car and assumed they must be fans of Failure, and as it turns out, they actually use Failure as their own personal barometer for other bands.. If a local or unsigned band is into Failure, or is influenced by them in any way at all, they must be worth checking out. My personal Failure story is as follows: I learned about them in the Spring of 1999 after seeing an episode of 120 Minutes that was hosted by Deftones where they played "Stuck On You." Not long afterwards, by coincidence we ended up covering "Stuck On You" in my highschool/college band at the time (a band called Bernie, which was partially named after a Failure song). And now more than 10 years later, almost any song from Fantastic Planet is like a timewarp to my sophomore year of college 1999-2000. Yay for bittersweet nostalgia....

The Failure-barometer has been working nicely over the past decade or so, which makes sense as nearly any band they've associated with is also insanely awesome (search Self, Lusk, God Lives Underwater, Replicants, Local H, Tool, Blinker The Star... a complete list would probably include at least 40 bands).

Two bands come into question, however.. the first being the outstanding Hum, who just played some reunion shows this past weekend. An alarmingly huge percentage of Failure fans seem to also love Hum, and I've been unable to decipher any true connection between these 2 bands other than sharing a shitload of fans.

The other band would be Paramore, who covered "Stuck On You" as a b-side on their "Summer Tic" EP from 2006. This speaks volumes to me in terms of bands who love good music but who are unfortunately confined by corporate strangulation and forced to create more mediocrity to help sell shitty movie soundtracks.

This coming Tuesday will see the long-awaited vinyl release of possibly the most understated and certainly one of the best-produced records of the 90's...