Showing posts with label wolf parade. Show all posts
Showing posts with label wolf parade. Show all posts

Tuesday, August 1, 2017

lit af 2016: #130 - 101

| Follow "LIT AF 2016" on Spotify |

| #200 - 166 | | #165 - 131 | | #130 - 101 | | #100 -71 | | #70 - 41 | | #40 - 21 | | #20 - 1 |

| All 200 Songs |

130. David Bowie “Girl Loves Me”
On September 7, 1977, David Bowie taped a performance of "Heroes" on the sixth and final episode of Marc, a weekly musical variety show hosted by Marc Bolan. (The final moments of the episode show David and the members of T.Rex performing a brief instrumental jam above the scrolling credits.)

Four days later on September 11, 1977, Bowie again performed (lipsynched) "Heroes" during a TV taping for Bing Crosby's Merrie Olde Christmas, a special that was mostly forgotten after its initial broadcast but gained infamy during the '80s and '90s after the "Little Drummer Boy / Peace On Earth" duet was released as a commercial single in 1982.

A few hours after the September 7th taping of Marc, the series' 3rd episode was broadcast on BBC featuring a performance from Hawkwind (only months after Lemmy had left the band to form Motorhead). It would be the last episode of Marc to air prior to Bolan's fatal car crash on September 13th. The Bowie episode aired on September 28th, eight days after Bolan's funeral (attended by Bowie and Rod Stewart among others).

Bing Crosby passed away barely a month after his TV taping on October 13th, with the special airing on November 30th.

A sad and eerily chilling coincidence, but a wild one nonetheless: Both moments featured recently deceased TV hosts accompanied by David Bowie himself appearing in person to sing "Heroes." (And none of this has anything to do with "Girl Loves Me.")
https://www.youtube.com/watch?v=wDCk1X2S00A

129. Charly Bliss "Turd" / Charly Bliss "Ruby"
Sup Charly.



128. Melkbelly "Elk Mountain"
We didn't actually want to go inside of Dunkin Donuts after drinking that much cough syrup. We just needed a destination, so we simply drove by the parking lot. About 12 kids stood there silently staring at us as we wondered why everything was more difficult than usual. After driving home at 20 mph, we reached for the doorknob but were too dramatically and irrationally anxious about what's on the other side to actually turn it all the way.


127. Wormed “Computronium Pulsar Nanarchy”



126. DJ Luke Nasty “OTW”


125. Witch Hair “Somewhere High”
A few weeks ago this award would have gone to Swim Team (who mysteriously removed their Side A jams from Soundcloud early in 2017). But now Witch Hair have claimed the title of "Best 2016 Song That Is Unavailable To Stream Anywhere." Their Lemonheads-y jam "Somewhere High" was on their Bandcamp earlier this summer, but has since gone the way of Houdini in a poof of smoke. A live video does exist though:
https://www.youtube.com/watch?v=MSXv2q0UjDQ

124. Cloakroom "Big World"
You know what they say about universes with big worlds.


123. Aphex Twin “CHEETAHT2 [Ld spectrum]”
Any assessment of Cheetah representing RDJ at his "most restrained" deserves reevaluation. Everything on this record is as warped and disorienting as any AFX releases from the '90s, and we're unsure how anything on Cheeetah is more tame than arguably the most pensive ambient song of all time. These damn whippersnapper posers who get paid to write music reviews should maybe consider brushing up on their familiarity beyond "Come To Daddy" and "Windowlicker." We'd grumble further but we'd rather keep at our most restrained behavior.

The song is currently only streamable on Spotify, so instead here's this:


122. BJ The Chicago Kid “Turnin’ Me Up”


121. Stove "Graduate and Congratulate"
The origins of "Graduate and Congratulate" begin years before Ovlov in the band Home Movies, when Stove was influenced by the chill, summery beachy-ness of "The Game Of Love" by Santana featuring Michelle Branch (written by Gregg Alexander from The New Radicals). An unrelated aside, we really need to get our hands on a couple of those Boner Pedals we've been hearing so much about. The kids are abuzz; "Nothing Beats A Boner," they say. We've heard nothing but good things, and probably at least 20 of the bands in Lit As Fuck Mix 2016 really do use them. Not kidding. (This is an unpaid advertisement, by the way. Boner didn't ask us to write this. We were running out of steam, and this picture of Boner on Stove's Facebook page felt inspiring.) These peds make every guitar sound like Jesus Christ himself were shredding from the top of the highest mountain. World Class craftsmanship, hand-made, custom pedals built by Boner. Give em a big old phonecall right now today. Your one-stop shop for all the peds. http://explodinginsoundrecords.limitedrun.com/products/585293-boner-pedals-rams-head-big-muff



120. Future Biff "Redline"
Get ready for some nasty air guitar. "Redline" had the catchiest, most exciting, most urgent and probably overall best guitar solo of the year. Geronimo's split in 2014 seemed like a huge bummer at the time. But the split seems to have inspired newfound musical freedom unlocking what's probably been their most prolific era to date. Every 5 or 6 months, it seems they have a new project with names like Milked or Future Biff. Nothing's changed. Everything's changed.


119. Good Willsmith “A Disease You’ve Probably Never Heard Of Is Killing Kids”
Demons celebrate from deep in the fiery pits of hell. Belly-laughing for hours on end like they just saw Charlie Murphy's "Rick James" sketch for the first time after a series of heavy bong rips, 100,000 crudely shitty little creatures resembling the Iz's from The Maxx surround souls getting drawn-and-quartered in a coliseum setting, busting their guts as the helpless are sucked into the vortex of infinite purgatory.


118. Palberta “Ode To Honey”
On Palberta's previous records, their surrealist elements were an undercurrent. The dreaminess was not as blatant and was only mildly present among their most childlike tendencies, whereas now surrealism seems to have taken over their music completely. They're shooting to unlock the unconscious thoughts of the listener in a hugely conceptual multi-layered blueprint that listeners may partially grasp but can probably only be truly understood by the three songwriters. If their discography (up to this point) represents a linear trajectory aligning with basic human rite-of-passage type moments, "Ode To Honey" is the era when someone might first discover mushrooms - at one with nature and with a renewed sense of perspective.


117. Total Slacker "Olympus Hills"
No one on Youtube has uploaded the song "R.E.M" by Wesley Willis yet or else it would've been embedded here.
https://www.youtube.com/watch?v=PiaXxqpg-cI

116. Wolf Parade "Floating World"
Boekner's original solo version of "Floating World" never received an official release, but it did appear in some garbage-looking Emma Roberts indie-romcom from 2013. Picking up closer to where they left off than EP4's other 3 new songs, Wolf Parade's full-band arrangement seems like the obvious stand-out. It's the only one presented like the imaginary b-side to 2008's non-existent "The Grey Estates" single (it does kinda sound like "The Grey Estates" with re-written lyrics), or perhaps even more like a secret non-album track from 2005's Apologies To The Queen Mary, if the song were among the few not recorded by Issac Brock.
https://www.youtube.com/watch?v=4tFBsMOATUM

115. Weaves “Sentence”


114. Lea "The Lorax"

Shooting a round of flame thrower blanks.


113. CupcakKe “Jesus”

Cupcakke jam packs the Cum Cake and Audacious mixtapes with gross-out humor and proudly inventive raunchiness. Just when you think it can't get any more ridiculous, Audacious closes with an awkwardly honest, unironic ode to Christianity. Over a reggaeton beat, she sings "I read my bible / Now Jesus Christ my idol" with the same double-tracking, attitude and cadence applied to tracks like "Spider Man Dick" or "Juicy Coochie."
https://www.youtube.com/watch?v=EDoAlmxCRFI

112. Rihanna “Woo” / Rihanna “Pose”
Return To Cookie Mountain is her favorite album (probably). At this point, her stans are ready and loyal enough to follow her to the edge of Hades or balls deep into a completely avant-garde era that will be best understood 15 years from now. We have our hopes up that Anti was her Low and that her next two albums are Rihanna's equivalent to the Berlin trilogy (preferably with Dave Sitak as her Brian Eno).
https://www.youtube.com/watch?v=26eTqNgpUUw
https://www.youtube.com/watch?v=bl_uPk4JDt0

111. Vince Staples “War Ready”
The power of Three Stacks. Bold Prediction: Andre 3000 will not release an album on his own or in Outkast at any point before 2020; despite this, his generously dope contributions on guest verses will provide "End of Decade" list makers myriad opportunities for inclusion. (August 2019 is closer than y'all think.)


110. Quttinirpaaq “Dead Birds”
Whoops this is actually 2015.


109. The Avalanches "Colours"
Those time lapse flower-blooming filmstrips from the '60s.


108. Exploded View “No More Parties In The Attic”
The smoke alarm went off on Lynchian fake-'50s cyborg planet. Plot the escape.


107. Two Inch Astronaut "At Risk Student"



106. Soft Fangs “The Air”



105. Lil Yachty "Shoot Out The Roof"

https://www.youtube.com/watch?v=cAmtm4Ir0Vk

104. Stove "Mrs. Robertson"



103. 75 Dollar Bill “Beni Said”



102. Flasher “Destroy”


101. Autolux "Brainwasher"

https://www.youtube.com/watch?v=HADVgpRl7jo

| Follow "LIT AF 2016" on Spotify |

| #200 - 166 | | #165 - 131 | | #130 - 101 | | #100 -71 | | #70 - 41 | | #40 - 21 | | #20 - 1 |

| All 200 Songs |

Sunday, January 2, 2011

2010's Greatest Hits #30 to #21

| #100 - 91 | #90 - 81 | #80 - 71 | #70 - 61 | #60 - 51 |
| #50 - 41 | #40 - 31 | #30 - 21 | #20 - 11 | #10 - 1 |

This is really starting to get annoying and time consuming. Why is it so difficult to finish these things?

30. Ringo Deathstarr “Imagine Hearts”

This is some of the best MBV/JAMC spirit channeling we’ve heard in years. Very excited for the full length coming in February. Austin-bound? Hmmm...


29 The Morning Benders “All Day Day Light”
Brian Wilson + Grizzly Bear + big pop choruses + radio-friendly hooks = Not commercial friendly enough. But we love them anyway. By the way, Futurama is not funny at all.


28 Big KRIT “Somedayz”

Seeing as how “93 Til Infinity” is such an alltime classic, wouldn’t anyone else sound just as good spitting some verses over it? It’s possible, but in this case, KRIT nails it, creating something of his own while paying due tribute. Best mixtape track of the year. Swag that shit out.


27 Wolf Parade “Ghost Pressure”
Krug’s keyboard attacks and Boeckner’s wail shall go down as one of the great musical combinations of the past half-decade, and were never more prominent than in “Ghost Pressure.” Leave it to a bunch of Canadians to form possibly the least egomaniacal supergroup of alltime. We’re gonna miss these guys.


26 No Age “Valley Hump Crash”

Traditional bland intro. Then comes the drums and the drone. Bury those vocals. Deep. So deep. And finally, get ready for it, here it comes.. the BANGER outro coda! “Catalina!” This has way more structure than anything on Nouns, and yet still punk as fuck, in that Sonic Youth kinda way. Still completely No Age. Always evolving; never changing.


25 Big Boi “General Patton”

“Massively fucking huge” might be a slight understatement.


24 The Arcade Fire “Ready To Start”
With a title like The Suburbs, it didn’t seem as likely for The Arcade Fire to return to their more rocked out Echo & The Bunnymen roots as opposed to the working man’s uber-melodramatic Bruce Springsteen impression from Neon Bible. They made the right choice.


23 Wiz Khalifa “Black And Yellow”
As DJ’s become more adept at pop structure, “musical hiphop” is quickly becoming a thing, increasingly the likelihood for Top 40 dominance. Wiz Khalifa fittingly banged out the catchiest hiphop chorus since “What You Know About That.”


22 Earl Sweatshirt “Stapleton”
Has there been a sloppier loop in the history of the genre? With keyboard drums barely hitting their mark underneath an amazingly off-time organ fill, dripping with rawness unheard since probably the 90’s. What’s even weirder is that it’s a fucking earworm. (For me, it was in-and-out stuck in my head for weeks, and I loved every minute of it.) And then there’s that chorus... I start to truly feel like I haven’t even started maturing past high school when I can relate to lyrics by 16-year-old rappers about trying to pick up girls with boyfriends and having them run away after seeing the white stains on my jeans. Odd Future Wolf Gang are mostly still in high school, growing up in the city, hating sports and loving horror movies. Not exactly the homophobic hazing types, despite gratuitous usage of "f*gg*t." "Rapist in training" comes from a naive place. They're very young and don't yet know the true horror of such a phrase, mostly included here to project their Eminem worship if nothing else. How extreme can they be? They already “get” the storytelling aspects of hiphop. Just dope swag.
21 Ariel Pink’s Haunted Graffiti “Can’t Hear My Eyes” Grocery store jams are back. |Continue to Page 9| | #100 - 91 | #90 - 81 | #80 - 71 | #70 - 61 | #60 - 51 | | #50 - 41 | #40 - 31 | #30 - 21 | #20 - 11 | #10 - 1 |

Wednesday, December 29, 2010

2010's Greatest Hits #60 to #51

| #100 - 91 | #90 - 81 | #80 - 71 | #70 - 61 | #60 - 51 |
| #50 - 41 | #40 - 31 | #30 - 21 | #20 - 11 | #10 - 1 |

Once again we find ourselves trapped... The list has been started. There's no turning back until it's finished. And it would never have started had it not been for the blizzard. BLAME THE BLIZZ.

60. Japandroids “Shame”
In these parts, the idea of the great JPNDRDS covering PJ Harvey can generate some serious chubbs action.* Luckily, they killed it, and the chubbs were justified.

[Note: This may require some explanation. When popular music-crit news pages hear of certain artists releasing covers of other well-known artists, we the readers get the opportunity to witness a phenomenon known as “the chubbs,” which results in a given “news” section immediately crowning it with top story priority. For example, Jann Wenner got “the chubbs” when he heard that Alanis Morrisette covered Fergie. Even though really nobody cared about this at all, it became top news at RS.Com. Wenner’s chubbs turned into full sex-splosion when he heard about Green Day covering John Lennon. “Chubbs” has far more to do with idea of two artists merging than it does with the way the cover actually sounds. Like My Bloody Valentine covering Wire... That’s some fuckin’ chubbs action right there.]


59 Merchandise “I Get Lost”
This album just came out not even two months ago, and there’s already a huge disclaimer at their label's website under the album cover stating “SOLD OUT” in huge capital letters!? I'm not kidding here, I was all damn good and ready to make a $9 purchase with actual money to have this unit shipped to my doorstep so that I could own a physical copy and won’t have to feel like I’m stealing from an asskicking new rock band. But nope; "SOLD OUT." This is what it's come to. This is why illegal downloads exist. The good shit is not sold at Best Buy. However, the good shit is usually downloadable from blogs such as icoulddietomorrow.. And seeing as how there is no internet web stream for "I Get Lost," we might as well post this here:
http://icoulddietomorrow.blogspot.com/2010/11/new-katorga-works-releases-merchandise.html
Thank me later.

58 No Age “Fever Dreaming”
It’s 100% No Age, but it’s also 50% Ramones, 63% “Radio Friendly Unit Shifter,” 26% The Fall, and 19% Nuggets boxed set, which adds up to 158%, which is 58% more than the average song. I’m not sure what this means. Read Pitchfork’s review instead. It's equally nonsense, but they get paid and we don’t.


57 Wolf Parade “What Did My Lover Say (It Always Had To Go This Way)”
There’s a few Handsome Furs and Sunset Rubdown tracks that you can totally tell would sound that much better performed by Wolf Parade, for example when they took the Sunset track “I'll Believe In Anything,” already awesome to begin with, and then Wolf Parade rocked that shit the fuck out and turned it into one of the greatest songs of the past ten years. This is what I’ll miss most in the wake of their recently announced “indefinite hiatus.” I somehow can’t imagine “What Did My Lover Say” being improved as a Sunset Rubdown track. With all due respect to their side projects, they’re best within Wolf Parade and simply greater than the sum of their parts.


56 Pet Milk “Cherry Outline”
I really know absolutely nothing about this band whatsoever, other than their 4-song demo EP is super rad. That’s literally it. I’m assuming they’re unsigned. No webstream either, but this song does have a video...
http://vimeo.com/16384090

55 Hooray For Earth “Surrounded By Your Friends”
Hooray For Earth toured this year with Surfer Blood, which is really the only reason they're being compared here. When Surfer Blood was discussed back at #84, it was noted that their music suffers from wussy-production, whereas Hooray For Earth, with their spacey/dreamy synths, received a correct balance of wuss/rock ratio, one that serves their music adaquately. “Surrounded By Your Friends” is their best song yet, and there's a good vibe going around that there's more where that came from. New LP in 2011 hopefully...


54 Stars “I Died So I Could Haunt You”

Their most recent album highlight includes the drums from The Cure’s “Close To Me,” which also made a recent appearance on the No Age album. Along with the Hooray For Earth track at #55, "I Died So I Could Haunt You" is surely among the loveliest synthpop tracks of 2010.


53 Big Boi feat. Yelawolf “You Ain’t No DJ”
Big Boi was clearly not choosing his guest-vocalists based on how "cool" they look. "Bewildered" might be an adequate term to describe a first viewing of the videos from Chico Dusty and realizing the extreme lack of "cool" exuded by the likes of Vonnegut and Yelawolf. In the case of "You Ain't No DJ," the beat was luckily so blazing hot (courtesy of none ofter than that genius mofo Andre 3000 himself!) that it pretty much made 0% of difference. Also of note: I thought the skit at the end of this one might have been the "David Blaine" one, but sadly that was from a different song. Sursly tho.. David Blaine: Skit of the year.


52 Robyn “Dancing On My Own”
No one is really sure if she’s actually the heartbroken introvert she so convincingly plays on her albums, but Robyn’s brilliant Letterman performance of this song touched our hearts like almost no other TV performance this year. A few weeks later, someone decided to try and recreate this magic on the VMA’s, a program which hasn’t made a single correct decision in 6 or 7 years, so of course it was a bit frustrating to witness her 15 seconds of lipsynching and dancing like a crazy girl... as they segwayed into more Kia and Taco Bell commercials. Thanks for nothing, MTV. Stick to what you’re good at, a.k.a. sucking Snooki’s dick.


51 The Arcade Fire “Rococo”
“Using great big words that they don’t understand.” The American Suburbs is not exactly uncharted lyrical or musical territory, which may have come to an alltime peak somewhere between The Monkees’ “Pleasant Valley Sunday” and The Beatles’ “Strawberry Fields/Penny Lane” single. In this case, Arcade Fire have invoked musical elements from all three of these, most noteably the “chaotic outro” motif, signified in “Rococo” with some lovely, ferocious guitar feedback.


|Continue To Page 6|

| #100 - 91 | #90 - 81 | #80 - 71 | #70 - 61 | #60 - 51 |
| #50 - 41 | #40 - 31 | #30 - 21 | #20 - 11 | #10 - 1 |

Monday, November 29, 2010

Wolf Parade hiatus/breakup/whatever

Wolf Parade abruptly and unexpectedly announced an "indefinite hiatus" today, a vague statement which really could mean anything. At the very least, it means that the relatively short wait between At Mount Zoomer and Expo 86 is not something we should expect in the future.. Something tells me they'll be back soon. In the meantime, here's a new live video of their best recent jam...