20 The Horrors “Still Life” We previously brushed these guys aside as more of a novelty band. But their 2011 transformation from punk-goth to psychedelic-goth seems like one of those career-defining decisions, along the lines of "Radiohead gets more depressed." The backwards guitars and horn section in “Still Life” suggest nothing short of a perfect marriage between Joy Division and Magical Mystery Tour.
19 Broken Water “Heart Strings” One of our brightest “bands to watch” suggestions for 2012... Half-Sonic Youth, half-MBV, with various injections of punk and 60's garage to match the band’s personal specifications. It’s not exactly “cheering up” music, but 2011 was just that kind of year...
18 Yuck “The Wall” Once again, Yuck sounds like a non-90’s band on “The Wall” - in this case, Clap Your Hands Say Yeah. The song presents a paradox, becoming increasingly complex in its simplicity, churning in the same 4 or 5 lines of lyric sung over and over... This all comes to a head within the last minute or so, with the vocal “screams" suggesting desperation that cuts even deeper, possibly the true "key" to this song.
17 Smith Westerns “Weekend” Distorted guitars... And yet Smith Westerns don’t receive a “90’s-retro” tag. Tyler The Creator threw "Weekend" on a summer mixtape from last July, which was thoughtful of him. But from where we stand, “Weekend” sounds just as good at any time throughout the year. It sounds like the type of song that would show up at the conclusion of a "feel good" movie just as the narrator says "So everything worked out. Everything was gonna be a-ok." And then it fades to black, and this song continues playing over the credits.
16 Frank Ocean “Swim Good” “I’m about to drive in the ocean / I’m about to swim from something bigger than me.” It’s hard to ignore the use of “Ocean...” Self-exploration? Escape from pain? We’re thinking this might be another drug song like “Novacane,” but if so, it’s more ambiguous and shoots way deeper and darker...
15 Fucked Up “The Other Shoe” “Dying on the inside / Dying on the inside / Dying on the inside / Dying on the inside / Dying on the inside / Dying on the inside” over a seemingly endless pummeling of (dare we say “epic”) chord-changes. With a few years hindsight, the great sprawling double-LP’s of this era - such as The Suburbs and David Comes To Life - will be embraced among rock historians just the same as The River and London Calling. In the meantime, songs like “The Other Shoe” are Fucked Up’s answer to a pop single. 2012 totally needs more songs like this.
14 Azealia Banks “212” / “Liquorice” Favorite song of 2011 with the c-word (12 times by our count). Crush of the year. All her strengths in under 3:30. With so many hugely memorable hooks, who needs a chorus? You couldn’t ask for a better introductory single. Her new kickass jam “Liquorice” leaked 2 weeks ago, just before year’s end. It’s too good to not include it here, although 90% of this placement is all about our love of “212.”
13 Uncle Acid & The Deadbeats “I’m Here To Kill You” / “13 Candles” Side B of Blood Lust contains crazy-ass super powers. At the party, you don’t play Side B of Blood Lust towards the end of the night after everyone’s wasted as fuck. And it’s not “let’s get this party moving” music. Side B of Blood Lust is the secret weapon. You pull this shit out right in the fucking middle of the party, right when shit’s about to get REAL AS FUCK. Tony Iommi? J Mascis? They would love this album just as much as every old dude who’s stuck in 1985 or earlier, longing for the days when rock music kicked serious ass. Sadly, none of these people will ever hear the best psychedelic pop-metal album of the last 20 years, and we hope to be proven wrong on that prediction...
12 Tyler The Creator “Yonkers” Dank, squirming, gruesome production... The music morphs over the stagnant drum beat like Gregor Samsa morphing into an insect. Tyler gets to yell about his obsession with Adventure Time and cinnamon, and he indulges more into his Eminem obsessions by going off about his deadbeat dad (no one cares... maybe he should rap about Earl instead), as well as the first of his many empty (yet poignant) threats to Bruno Mars. Anything but derivative.
11 Merchandise “Kill The Light" Our most anticipated LP of the moment is probably the next release from the dark, noisy and 80’s-goth sounds of Merchandise. They posted an unheard 2008 demo on their blog a few weeks ago. With such a fat bassline, this is probably the most Cure-sounding thing they’ve done yet, which got our attention VERY quickly.
90 Fucked Up “A Little Death” Who doesn't want a little death in their lives? We're confused about the history of the songs on David Comes To Life since there are several Fucked Up songs dating as far back as 2005 (on the "Mix Tape Volume One" release) with titles that allude to a character called "David" including one song titled "David Comes To Life" (from their debut LP). They've done a great job of confusing us and rocking the fuck out of our worlds. Also, Damian's interview with BrokeNCyde from about a year ago is now among our favorite internet oddities, mostly because he appears to be a genuine fan...
89 Milk Music “No Life” We're happy to notice lots of asskicking rock coming from Olympia over the past year or two. Possibly as a result of their recent profile on Pitchfork, Milk Music's Bandcamp.Com page appears to have been removed, which is some serious ass bullshit... Whatever. Buy the album.
88 The Cars “Sad Song” The intro of "Sad Song" evokes smiley nostalgia, totally ripping off The Cars' own "My Best Friend's Girl" and "Let's Go" in a way that couldn't possibly get anyone upset, which is essentially the atmosphere throughout their 2011 reunion LP. The late Benjamin Orr's contributions are sadly missed, although Ric Ocasek's first Cars' songs in 25 years still sound as if the band never split up. Recommended for any casual fans.
87 Cave “W U J” 2011 was the type of year when a revival from a genre as obscure as krautrock wouldn't have surprised anyone. It hasn't truly taken off yet, although signs have been pointing in that direction considering Can's surprising surge in popularity along with 2009's self-titled Beak> LP and Cave's Neverendless from a few months back. P.S. What the fuck, ANOTHER band whose Bandcamp.Com page seems to have disappeared??? Well at least their video is interesting...
86 Ke$ha “Blow” This might be Ke$ha's first ever placement in a year-end list ever since we initially placed "Tik Tok" as the fourth worst song of 2009, a poor decision in hindsight. "We R Who We R" and "Blow" have assisted in viewing her first few singles from a different perspective, one where she seems totally in place with the world of 2011 pop alongside the enormous recent influence of Andrew WK and, strangely enough, Rebecca Black's "Friday," the ultimate trifecta of "Party Hard" (just in case any concert promoters want to score an historic triple billing in 2012). We also don't really understand what's happening in the video with Dawson's Creek, but whatever... Ke$ha has proven herself. She's pulling her weight. We love the build in the middle of this one, with "We're taking over!" spoken through auto-tune.
85 Kreayshawn “Gucci Gucci” Random shit about Kreayshawn:
The beat of "Gucci Gucci" reminds us of Bruno from Da Ali G Show.
Left Brain from Odd Future is in the video. They're friends or something.
The video makes it look like she walks up to a random chick at the beginning and motions as if to say "I like your style," and they hang out and dance horribly for the next hour or so, although Kreayshawn's description makes it sound like the other girl (played by her sister) caught her attention by walking out of a Gucci store, which conflicts with the lyrics of the song.
She's also cute and wears anal beads around her neck.
Did we mention we love their amazingly horrible dance moves? They sure do enjoy waving their hands around. (Fuckin white chicks, man...)
84 Radiohead “Separator” If TKOL were instead released by Add N To (X) or Burial, everything would've been a-okay and we could have all jerked off to this album in unison. But since it was released by the same band who made The Bends, everyone's all like "UuuUhuuhhh" and making grunt noises without bothering to hear any of the songs. Once again, "Separator" is another jam completely indebted to Colin Greenwood's sick basslines. The only real complaint we have with King of Limbs is that the same band took less than two years to record OK Computer and its 9 b-sides, whereas we waited for longer than double that time for an 8-song LP and a handful of less-than-stellar non-album tracks. The question remains, will Radiohead dust-off their guitars and record the next great rock record? Stranger things have happened...
83 Toro Y Moi “Still Sound” We love Fender Rhodes so much. So fucking much, you have no idea... Moon Safari influence doesn't hurt either. Toro Y Moi's 2011 awesomeness seems far more attributed to production elements than to songwriting, which is a good thing, digging up some of those sounds from what we like to call "grocery store jams," borrowing elements from the AOR of the late 70's and early 80's.
82 Jonny “Candyfloss” Jonny is a sort-of supergroup featuring dudes from Teenage Fanclub and former members of Gorky's Zygotic Mynci. If you're familiar with these two, you know exactly what to expect... "Candyfloss" mostly made us nostalgic for John Peel's Festive 50, as both bands frequently placed. We're still confused by the false ending, unsure whether it's a mistake or how the song is really supposed to sound...
81 The Strokes “Under Cover Of Darkness” Early-2000's nostalgia has started creeping up on popular culture. We previously mentioned the emo-revival featuring new releases from Yellowcard, New Found Glory, Rival Schools, Saves The Day, Thursday and a shitload of bands that we didn't know were still around... Also, The White Stripes split up, and The Strokes ended their five-year hiatus with their least impressive LP yet. "Under Cover Of Darkness" is the only song that came close to the magic on their first three records, specifically the chorus and the guitar solo. If they can get their shit together in time for album #5, the impending early-2000's revival will be hugely welcoming of new asskicking jams from these guys.
"During their performance of their song "Baiting The Public", the majority of the audience were moshing and causing damage to the set (also visible was a cut from lead singer Damien's forehead), resulting in a sum of $2000 in damages." - wikipedia
"On October 9, 2008 the band returned to MTV Live, this time performing in the men's washroom. Once again, the band (and their fans) caused a large amount of damage, destroying the ceiling, spray painting walls and knocking over amps and a motorcycle which was brought into the washroom as a prop. Fans, who were told beforehand to stay out of the washroom and to watch from outside the door, rushed the doors and joined in the destruction the band had already started. The band was supposed to play three songs, but were stopped after the first song as MTV was not aware of the destruction the band had planned and were concerned about the safety of the band, audience and crew. On October 10 Abraham blogged about the performance on the MTV Live website,[5] saying the bathroom performance was fucking out of control terrifying."
TASTE MY KIDS is a digital newsletter compiling recommendations for a happier and healthier existence, most often in the form of "best-of" lists, youtube posts, album or movie reviews, and various scribblings. We lived on Geocities starting in August 2000. In January 2009, times got tough and posts were on hiatus until a new host could be located. Geocities eventually died anyway, and now we live on blogspot. True story.